I don’t see how this will make it. I just don’t understand how sexuality has to be brought up at all, let alone made to look like it is the focal point of the character..
As the
New York Times broke yesterday, Batwoman is coming back to the DCU and Gotham City in the form of Kathy “Kate” Kane, lesbian who has a history both with Renee Montoya and with…apparently, Bruce Wayne.Â
As the news was filtering out through various channels, we caught up with DC Executive Editor Dan Didio to talk about the new character, the role her sexuality will play, and what the future holds for the new Batwoman.
NRAMA: So – after much rumor, speculation, and teasing, Batwoman is making her debut…
Dan Didio: Yes!
NRAMA: Tell us about her…
DIDIO: We’re always looking for ways to reinvigorate the Batman franchise, and look at other characters to inhabit his world. One of my problems with it was that I felt that a lot of the characters were coming form the same place, the same sense of origin, the same sense of tragedy in their backstory. We wanted to find a way to branch out a little bit more in the Bat-world. We looked at the Kathy Kane character, and we wanted to find a way to bring her back to the DC Universe. We figured that coming out of Infinite Crisis was a good time to re-introduce the character to the DCU –we can blame Superboy Prime for that.
We wanted to find a way to make her feel different, and give her a different personality, a different ideology, and a different backstory, so that she wasn’t just another Batman or Bruce Wayne clone. She’s a member of high society and she is gay. But her sexuality is not the main thrust of the character; it’s just another aspect of her personality, one that helps her to determine her choices that she makes as she’s fighting crime in Gotham City.
NRAMA: What do you mean by that last part? How does the fact that she’s gay help to determine the choices she makes as she’s fighting crime in Gotham?
DIDIO: Basically, what it means is that we have another very strong female character, and how her private life plays against her heroic life is going to be where the stories play in; as well as different types of adventures and different types of dramas that she gets caught up in. One of the first stories is that she does have a history with Montoya – because of that, it pulls her directly into a lot of the events in Montoya’s world, brings her into confrontation with The Question, and gets her hooked up with the things that are happening in 52.
NRAMA: Playing devil’s advocate, as you said, the fact that she is gay will play a role in her activities as a hero – but, when you flip that, it doesn’t really apply to say, Batman. You can’t say, “Because he’s heterosexual, Batman’s adventures are thus and so.” Heterosexuality as a character trait is has been largely ignored with Batman, yet it’s not the same when you’re talking about a gay character. Why is that?
DIDIO: If the character is gay, she might have had different levels of challenges in her life. The fact that she conceals her own sexuality to some of the people around her and to her own family is going to be a bit of a story, so there are going to be secrets within secrets. You’ll also find more and more about who she is as the story is told, and see how it plays against her lifestyle.
NRAMA: Where does she debut again?
DIDIO: 52 #11
NRAMA: And her name is Kathy Kane…
DIDIO: Or “Kate” as we’re calling her now.
NRAMA: Her costume designed by Alex Ross – it has interesting elements, both a nod to the original Silver Age Batwoman, as well as a nod to the Batman Beyond color scheme. What went into the look?
DIDIO: We really attribute the costume fully to Alex. When we went to him, we explained that we were bringing Batwoman back, but she is coming back for a new generation. He knew the backstory of the character as well, and wanted to do something that would both pay tribute to the past, but also move the character into her own identity. He’s so incredible when he does these things; he pulls from so many different places and still makes it feel unique while still giving a wink and a nod to everything around him.
NRAMA: Anytime someone shows up in Batman’s world, he takes a relatively grumpy reaction…well; he did prior to Infinite Crisis. What’s his response to this intrusion, post Infinite Crisis?
DIDIO: Well, remember that she’s operating in the city for nearly a year before Bruce comes home. She’s going to be able to establish herself in that fashion, and part of the assumption of the identity will be filling that void in Gotham City that has been left by Batman packing up and leaving after Crisis. This plays out on several levels, because you’ll also find out that there’s history between Bruce Wayne and Kate Kane from before she put on the costume as well. She’s someone who’s frequented the high society circles – they’ve encountered each other in the past, and there is some sense of history between the two, although we’re not really explaining what just yet. So, more importantly, he’s going to have to deal with her on multiple levels, as she reasserts herself in a level of prominence in Gotham society.
NRAMA: Plans for her in the immediate future? Her own series, miniseries, appearances, or can it be said at this point?
DIDIO: One of the things that I would like to do with Batwoman in particular, because we feel that who she is and the development of the character is so unique to what we’re trying to accomplish in the DCU, but also to what 52 is about, one of the things I’d like to see, at least in the beginning, is to see her as a character who will be appearing primarily in 52. Them, we’ll be exploring things in different ways.
To use a Marvel reference, I always liked the way that Marvel introduced the Punisher. He started in Amazing Spider-Man, and had some really landmark appearances in Daredevil, and they allowed interest in him to grow. I think this is a character that can really benefit form appearing in different books first before we test the waters with her on her own.
NRAMA: And let the fan demand fuel a project?
DIDIO: Yeah. We’ve introduced a lot of characters in a very short period time, and we’ve got a lot more coming down the pipeline, but I’d like to believe that mostly everything we do now is coming out of other things so that we’re not just throwing books and ideas and concepts at people cold. I want it to be where it
