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    Archive for the 'Comic Creator Interviews' Category


    NYCC ‘08: THE LEGION OF SUPER-HEROES PANEL - NEWSARAMA

    Posted by Chris Mosby on 23rd April 2008

    You can also listen to this as a podcast here:

    http://www.dccomics.com/media/podcasts/DCComics_2008-04-19_Legion_New_York_Comic_Con_2008.mp3 

    NYCC ‘08: THE LEGION OF SUPER-HEROES PANEL


    by Chris Mautner
    Lest anyone doubt the popularity of DC’s flagship team book The Legion of Super-Heroes, let him or her discuss the matter with the devoted throng that attended the 50th anniversary panel at the New York Comic-Con this Saturday afternoon.
    Though far from packed, a sizable crowd nevertheless showed up to hear artist Keith Giffen, writer (and DC comics publisher) Paul Levitz and current Legion editor Mike Marts talk about their experiences working on the book.
    Asked by moderator and historian Peter Sanderson what was the defining element that made the Legion such a revolutionary book, Levitz cited the title’s willingness to let the characters age, change their relationships and even, in the seminal case of Lightning Lad, die. Giffen pointed out that of all superhero teams, the Legion was the first to recognize the price of heroism.
    “Up until then comics had come out of classic comic strip tradition of freeze frame. Everyone is going to be same age forever,” Levitz said. “The Legion, four issues into own series said ‘Screw this stuff, we’re going to kill people and change relationships.’”
    Marts cited the book’s clubhouse atmosphere, which gave younger readers a strong opportunity for identification. “A lot of kids knew you couldn’t be Superman or Batman but hanging out in clubhouse with friends is something you did all the time,” he said. “You could relate to them almost immediately.
    Giffen, meanwhile, stressed the book offering a counterpoint to the dystopian, post-apocalyptic future type of stories that have become so popular these days. The Legion, he said, gave you a “future you wanted to live in. … That’s when it made its mark.”
    Asked about past contributors to the lengthy series, Levitz discussed how writers like Jerry Siegel and Ed Hamilton brought, respectively a levity and an epic sense of scale to the work early on, while Jim Shooter (who was supposed to attend but had to cancel his appearance at the convention) brought a humanity to characters who had previously been somewhat cardboard – something that, to this day still amazes Levitz, given that Shooter was showing that sense of humanity while he was 13 years old. All three cited the work of the late artist Dave Cockrum as seminal. The contributions of Curt Swan and Jim Sherman were also highly praised.
    Asked about the specific challenges of working on the Legion, the immense number of characters (“30 damned characters” as Giffen put it) and their histories, costumes, and other miscellany were cited as a strong hurdle.
    “I thought I was somewhat familiar with the Legion when I came on board, but I was in for a little bit of a surprise,” Marts said. “Knowing what color Batman’s costume is pretty simple,” versus the multitude of legion kids. “It’s tricky to keep the look consistent.”
    Levitz stressed the need to be willing, especially for artists, to delve into the challenge that is the group’s immense history while being willing to build new worlds. “For Legion you either get the crazy artist who’s willing to put everything in it or it really shows,” he said.
    The Legion’s past reboots were discussed, with Giffen saying that his “5 Years Later” shift in the Legion (which has a love/hate relationship with fans) came about due to his not knowing what else to do when he landed the writing chores on the title after Levitz.
    Asked about Legion’s future, Marts said Shooter has an intricate plot laid out and that readers would see more romance and perhaps even a wedding in the book’s future. He also said a legion-related project would be coming out at the end of the year, adding that Shooter is “on for the long haul.”
    “There’s nobody lining up to draw or write the Legion,” Giffen added, talking about all the worlds and space aliens an artist would have to invent for such a comic. “There’s no point of reference you have to make it up as you go along.”
    The high point of the panel had to be when, in response to a fan question, Giffen voiced his ire for the character Karate Kid.
    “I hate that character,” he said good-naturedly. “I agreed to come on Countdown only if I could kill him. If I come on Legion again, he’s dead.”
    Why does he hate him so much? “Two words put together. Super-Karate.”
    “Everyone in this field has characters they hate,” Giffen said. “I just have the bad taste to say it out loud.”

    NYCC ‘08: THE LEGION OF SUPER-HEROES PANEL - NEWSARAMA

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    GEORGE PEREZ ON LEGION OF 3 WORLDS, I - NEWSARAMA

    Posted by Chris Mosby on 4th April 2008

    The MASTER speaks!

    GEORGE PEREZ ON LEGION OF 3 WORLDS, I


    by Vaneta Rogers
    George Perez is no stranger to Crises.
    Now DC has tapped him to help out with another Crisis by drawing the Legion of Super-Heroes — not just one of the teams, but three versions of them from three different universes — in this summer’s five-issue mini-series Final Crisis: Legion of 3 Worlds.
    Working with writer Geoff Johns, Perez will be drawing five oversized issues that readers can expect to be filled with characters in what Johns promises is an epic tale. Fans got a preview of the story and Perez’s take on the Legion — as well as a few surprise characters from the 21st century — in this week’s Action Comics #863, where Johns once again incorporated a comic book “trailer” to get readers excited about the upcoming project.
    Johns and Perez last worked together on Infinite Crisis in 2005, when Perez did several pages to help out regular mini-series artist Phil Jimenez. And of course, as a veteran penciller in the comic book industry for over 30 years, Perez is also well-known for his role as penciller on Crisis of Infinite Earths.
    So now that he’s involved in the Final Crisis, Newsarama talked to Perez about the Legion story he’s drawing, as well as his upcoming pages in DC Universe #0.

     

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    GEOFF JOHNS: LEGION OF 3 WORLDS, II - NEWSARAMA

    Posted by Chris Mosby on 3rd April 2008

    LONG LIVE THE LEGION!!

    GEOFF JOHNS: LEGION OF 3 WORLDS, II


    by Vaneta Rogers
    If you were around yesterday, you know from the first part of our interview with DC writer Geoff Johns that he and artist George Perez will be uniting for a five-issue mini-series called Final Crisis: Legion of 3 Worlds in August.
    According to Johns, the epic storyline set in the 31st century is accessible for both long-time Legion fans and those people who have never read a Legion comic before – and it will have some sort of tie into the Final Crisis story that Grant Morrison is telling with artist J.G. Jones.
    Today, we continue our talk with Johns about the story, but now we help out Legion of Super-Heroes fans by asking Johns to focus a little closer on his favorite Legion characters and explain why he thinks they’re important to the DCU. And as we tried to clear up some remaining questions about those Legion members who appeared in Countdown to Final Crisis, we found out Johns is interested in writing an ongoing Legion comic.

     

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    GEOFF JOHNS: LEGION OF 3 WORLDS, I - NEWSARAMA

    Posted by Chris Mosby on 3rd April 2008

    SWEET MOTHER OF GOD!!!

    My FAVORITE writer, teamed with my FAVORITE artist, doing a book about my FAVORITE super team since I was about 3 years old?  This is the GREATEST THING  EVAAAAAA!!!!!!!

    GEOFF JOHNS: LEGION OF 3 WORLDS, I


    by Vaneta Rogers
    We’ve been told that DC’s upcoming Final Crisis spans the past, present and future of the DC Universe.
    With today’s Action Comics #863, part of that “future” has been previewed in a teaser image that confirms a team-up fans have been speculating about – writer Geoff Johns and artist George Perez will unite to tell the story of a multiverse-spanning 31st century battle in Final Crisis: Legion of 3 Worlds beginning in August.
    One of the two promised DC mini-series that will tie directly into Final Crisis, the Legion of 3 Worlds story will pull together the characters from three teams that have called themselves Legion of Super-Heroes during DC’s publishing history. And if we go by the teaser image, a slew of Perez-drawn Legion members will be fighting alongside Superman against a villainous threat in the future that will include a couple threats from the present as well – Superman-Prime and… is that Lex Luthor?
    After wrapping up the Sinestro Corps War just a few months ago, it hasn’t taken Johns long to start writing another epic storyline, this one in five oversized issues that will tie into the Final Crisis story writer Grant Morrison is telling with artist J.G. Jones this summer. And it won’t surprise readers of Johns’ monthly comics that these issues will feature members of the original Legion, which Johns helped re-introduce to the DCU last year in a crossover between his Justice Society of America title with Justice League of America, then used in the current Action Comics story.
    But three Legions? All together and all part of the DCU? What happened to the reboots where one Legion replaced the other? And for those readers who’ve never read any Legion stories, what do they have to know to understand this series? And what is Lex Luthor doing in that picture? Newsarama talked to Geoff Johns in a two-part interview to find out the answers to these questions and more…

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    GEOFF JOHNS: SECRET ORIGINS AND BLACKEST NIGHT - NEWSARAMA

    Posted by Chris Mosby on 8th March 2008

    GEOFF JOHNS: SECRET ORIGINS AND BLACKEST NIGHT - NEWSARAMA

    GEOFF JOHNS: SECRET ORIGINS AND BLACKEST NIGHT

    by Vaneta RogersWhen Green Lantern readers were told at the end of last year’s
    blockbuster Sinestro Corps War that another high-profile storyline –
    the Blackest Night – was coming in 2009, it seemed an awfully long way
    off.But if this week’s Green Lantern #28 is any indication, the predictions of the Blackest Night prophecy are already starting to take shape. As next month’s Green Lantern issue #29
    starts a new “Secret Origin” storyline, readers are seeing the seeds
    planted for what is already anticipated as one of next year’s must-read
    events.

    Previewed in several pages of the oversized Green Lantern #25
    in December, the prophesized War of Light and Blackest Night have
    caused a lot of fan buzz ever since. Readers were led to believe that
    sometime in the next year, not only would there be Sinestro Corps
    members wielding fear-powered rings of yellow against the Green
    Lanterns, but there would be new corps harnessing the energy of other
    emotions by wearing corresponding colored rings.

    It was teased as something we’d see in the future. Yet already, more
    than one other color showed up in this week’s issue. And months before
    the promised Rage of the Red Lanterns storyline later this year, with
    this issue, the cosmos of the DCU now has two Red Lanterns spewing
    their red energy of hate.

    As we checked in with Green Lantern writer Geoff Johns to talk about
    this week’s issue, we found out that the next storyline, Secret Origin,
    is more than just a look back at Hal Jordan’s past. Not only does the
    story arc represent what Johns hopes is a resurgence of the “Secret
    Origin” concept in the DCU, but it kicks off the road to Blackest Night
    by revealing more about Hal Jordan, Sinestro, and the mysterious new
    Red Lantern named Atrocitus.

    Newsarama: This issue was filled with hints about what’s coming
    and obviously begins the journey toward this “War of Light” and the
    Blackest Night storyline we keep hearing about. When are we going to
    find out answers to all these mysteries, Geoff?

    Geoff Johns: Keep reading Green Lantern. The reason I didn’t
    want to jump to Blackest Night is that I have a lot of stories to tell.
    I have a lot of characters to build. And I have a certain journey that
    Hal Jordan is going through as he weaves between these different corps
    and comes face to face with them. There’s a specific journey for him to
    take to get him prepped for Blackest Night, and to get the Green
    Lantern mythology prepared for the Blackest Night.

    NRAMA: So this tease we saw at the end of the Sinestro Corps War in Green Lantern #25,
    where there are all these different corps, isn’t going to just suddenly
    happen. We’re going to get just a few concepts or characters introduced
    at a time over the next year or so?

    GJ: I want to lay out these characters and invest the time in
    them. The overall plots and the storylines are intricate, and I really
    want to explore this to its ultimate potential. Each one of them
    deserves a spotlight, deserves some time, instead of just having them
    all show up. It’s not going to work that way. The Corps are so
    different, they act so differently and the rings are so different.
    Every one has such a different purpose.

    It’s Hal Jordan’s journey that we’ll see through Secret Origin, through Rebirth
    and Sinestro Corps and Blackest Night, really. It culminates into a big
    part of his journey as a human being and as a Green Lantern.

    NRAMA: Let’s talk about this issue, then we can talk a little about what comes next. In the beginning of Green Lantern #28, we see the red part of the emotional spectrum emerge.

    GJ: Well, you see a Red Lantern. He’s the first Red Lantern, on the planet Ysmault. Atrocitus.

    NRAMA: He’s one of the Red Lanterns we saw in the spread that Ethan Van Sciver did in Green Lantern #25, where the War of Light was previewed, right? This is that same character?

    GJ: Yep. Ethan came up with that name – Atrocitus - and I loved
    it. So I immediately began drafting his backstory, the role he played
    in the past and the role he’ll play in the present. Atrocitus is a main
    character in Secret Origin and the Blackest Night.

    NRAMA: Does Atrocitus have anything to do with the Alan Moore story from Tales of the Green Lantern Corps Annual #2, where we saw Abin Sur on Ysmault?

    GJ: Atrocitus was there on Ysmault at the time of that story,
    but he’s a brand new character. Alan’s story told about the fall of the
    Green Lanterns and Sodam Yat, but beyond that, it didn’t say much. It’s
    one of those little gems that sparks a bigger idea. I thought if there
    was a doomsday prophecy for the Green Lanterns there was no other name
    for it than “the Blackest Night.”

    NRAMA: In his introduction, he kills Qull, whom astute Green
    Lantern fans have noted is the prisoner on Ysmault who told the
    prophecy of doom to Abin Sur back in the Alan Moore story.

    GJ: Yes. He is the one who first told Abin Sur the prophecy.

    NRAMA: It was implied in Green Lantern’s history that Qull only
    told Abin Sur the prophecy of the Corps’ doom in order to scare him.
    Does this scene in Green Lantern #28 confirm that? He tells Atrocitus he “planted the seeds of fear” within Abin Sur.

    GJ: Yeah, he told him he planted the seeds of fear. But at the
    same time, it’s true. However, like other ancient texts it can be
    deciphered and looked at on several levels. It could apply to the
    universe or the soul of an individual character or both. It could be
    subtext or literal. It could be everything and nothing. That’s what
    prophecies are.

    NRAMA: Although it didn’t happen exactly the way it was
    foretold, there was a battle between the sentient city Ranx and the
    planet Mogo and the Children of the White Lobe. There was a Green
    Lantern named Sodam Yat. Those things were all predicted in the
    prophecy.

    GJ: Yeah. But Qull was not all-seeing. The prisoners on Ysmault
    are not all-seeing. They found this prophecy somewhere else. They’re
    not as powerful as the Guardians or anything. There’s quite a bit of
    history with those prisoners that hasn’t been revealed that will.
    You’ll have to read Secret Origin for that.

    NRAMA: Atrocitus says “your innards will give me my freedom,
    Qull, and your blood my power.” So does Atrocitus have to kill him in
    order to use the power of hate?

    GJ: How a Red Lantern is chosen, why and what makes them
    different than the other Lanterns will be explored. And it involves
    blood, of course.

    NRAMA: Laira is the second Red Lantern who is recruited at the end of the story. And in her transformation, we saw what Ethan Van Sciver told us about the Red Lanterns, where the energy of hate just comes pouring out of their mouths.

    GJ: It’s not pleasant. And also, it’s the far end of the spectrum, so this power really eats you up inside.

    NRAMA:
    When you say it’s the far end of the spectrum, you’re talking about how
    the colors in the middle, such as green and yellow, are easier to
    control and wield, while the colors further out are not?

    GJ: Red is further from the middle of the spectrum.

    NRAMA: Similar to the other end of the spectrum: The uncontrolled power of love we saw in the Star Sapphires.

    GJ: Yeah. You saw the same thing in the Star Sapphires earlier
    when we introduced them again. You saw the power and what it does. It
    almost completely takes someone over. The red power is a little bit
    different, and again, we’ll get into that more as we flesh out the Red
    Lanterns. I’ll tackle them a lot more in the Rage of the Red Lanterns
    arc.

    NRAMA: Both of these Red Lanterns, Atrocitus and Laira, are directing their rage toward Sinestro?

    GJ: Interesting, isn’t it? [laughs] Interesting how that worked
    out. The idea is that with all of these corps, I’ve laid out all the
    individual motivations. They’re all different, and they’re all
    intertwined. They all have something personal at stake. And the reason
    for Atrocitus’ attention toward Sinestro will be a major point of the
    Secret Origin arc coming up. Why he has rage against Sinestro will all
    be revealed there.

    NRAMA: Are we going to see a whole lot more Red Lanterns recruited?

    GJ: Not yet. Not for a little while. And there’s a reason for it
    when they all start coming out. There’s a reason that the Red Lanterns
    surge after Secret Origin, and there’s a reason it can’t start until
    then.

    NRAMA: Is there anything else you want to say about the Red Lanterns?

    GJ: Keep an eye on Atrocitus.

    NRAMA: OK… let’s talk about the color orange. There’s a character named Agent Orange?

    GJ: Yes. He will be my favorite new character. I’m already sure of that. He’s too much fun to write.

    NRAMA: And the person who mentions him is the Guardian who was scarred by the Anti-Monitor during the Sinestro Corps War?

    GJ: Yeah! I’ve nicknamed her “Scar.” I just call her Scar for my
    own purposes — you know, in my story notes. ‘Cause she obviously has
    that scar. She hasn’t taken the name herself or anything, though.

    NRAMA: She’s the one who just recruited the Green Lantern Ash to
    find the corpse of the Anti-Monitor. Is it right that we should be
    suspicious of what her agenda is here?

    GJ: It’s probably not good. [laughs] Her agenda’s probably not good.

    NRAMA: She was allegedly “resting.”

    GJ: Yeah. She’s not being completely honest with the Guardians.

    NRAMA: Just one more question about the color orange – we not
    only heard a mention of Agent Orange, but also saw the Controllers
    interested in the energy of the color orange, correct?

    GJ: Yeah. There’s a couple of splinter tribes out there that
    have left the Guardians. You have the Zamarons and the Controllers. The
    Controllers are kind of like these guys who have batted zero for 1000,
    and someone has helped them discover that there are these powers out
    there, and they want to grab one of their own.

    NRAMA: And so they’re looking at the color orange, which is the
    color of avarice. Can we assume Agent Orange is also someone who is
    interested in the power of avarice?

    GJ: I think that’s probably a fair assumption, but you can never
    assume anything about where this story is going. It’s definitely not
    going anywhere that it looks like it’s going. That’s the fun of it.

    NRAMA: The other big scene in here involves Sinestro and Hal,
    and their relationship is what you are mainly going to concentrate upon
    in the next story arc, right?

    GJ:
    Secret Origin is Hal Jordan’s story of how he first completely embraces
    what being a Green Lantern is. And by doing that, he overcomes some
    things that have held him back in life. His attitude – he’s a little
    bit blind to his faults in the beginning. He lays a lot of blame and
    anger and frustration on other people. But he’s extremely passionate
    and he’s a good guy. You see in the first issue of Secret Origin that
    he’s been in this cloud of a life that isn’t normal, that hasn’t really
    provided him anything that he emotionally needed. He’s completely out
    of touch with a lot of people. He doesn’t have a good relationship with
    his family or his co-workers.

    So you have Hal Jordan who thinks he knows what he’s doing, and then
    you have someone come in who actually does know what he’s doing and at
    the height of his career in Sinestro. And obviously, Sinestro telling
    Hal Jordan what to do isn’t going to work. Hal’s not going to want to
    listen to anybody. And Sinestro’s not going to want to have someone not
    listen to him. So it’s the story of these two guys, and really, the
    story is key to the foundation of the Green Lantern mythology and
    everything that we’re doing. There’s an extremely specific reason why
    this story has to be told.

    NRAMA: Didn’t it say at the end of the Sinestro Corps War, in Green Lantern #25, that the powers of fear and willpower will unite?

    GJ: They’ll have to. That’s what the trailer said. If they want to survive.

    NRAMA: That points toward Sinestro and Hal Jordan having to fight on the same side.

    GJ: Right. But if you read the issue closely, and if you read Green Lantern #28,
    Sinestro has a very different view of what it’s going to take to combat
    any kind of dark prophecy. He doesn’t know the details, but he knows
    something. And you see him in that final scene, talking to Hal, he says
    the Green Lantern Corps will be strong enough to do this because of me.

    NRAMA: In this issue, Sinestro says, “I believe in the Green Lantern Corps, Hal Jordan.”

    GJ: Yeah. [laughs] “Don’t you?”

    But the Guardians believe that prevention is the only answer, instead
    of preparation. They’re focused on prevention. Right now, that’s
    probably the wrong thing to do. They think they can control it and
    contain it.

    NRAMA: Sinestro says they’re going to panic when they finally realize they can’t prevent it.

    GJ: Yeah. Well, they’re trying to cut emotion out of it so hard,
    and there’s a reason for that. Their emotions would be extremely
    powerful and would power other spectrums. So if a Guardian got really
    angry, it would power that spectrum. That’s why they need to temper
    their emotions.

    NRAMA: Why did Hal go immediately after that trial and see Sinestro?

    GJ: Because he knew that law was going to make Sinestro happy.
    He knew that law was something Sinestro already foresaw. Sinestro
    pushed the right buttons. And Hal probably considered not going, and he
    just had to go.

    The relationship is a very complex one. I think it’s actually, for a
    hero and arguably arch-villain, I think it’s probably one of the most
    complex ones in comics. Maybe you’ve got other characters out there who
    are interesting, but they certainly haven’t been through the stages
    these guys have been through. Maybe a lot of that, to me, is probably
    more in my head than on some of the pages, but that’s why I’m doing the
    Secret Origin – to get that on the page.

    NRAMA: OK, it sounds like this “Secret Origin” story is pretty
    important. But let’s talk about the name. You’re bringing back the idea
    of “Secret Origin” with this next story arc?

    GJ: “Secret Origin” is a DC term. It’s a classic one that I
    think should be back and carefully and selectively done. If there’s a
    “Creeper: Secret Origin” next month, the title’s just been wasted. It’s
    more than the term though – Year One is great, but it’s only Year One.
    Just by the nature of the title, it doesn’t encompass everything. This
    story is from the time Hal is 10 years old until the time he really
    accepted his role as a Green Lantern. I think a “Secret Origin” can
    allow for a lot more ground to be covered.

    And, yes, Green Lantern: Secret Origin isn’t the only one I’m going to
    do. I think Jeph Loeb has done some of the absolute “Secret Origin”
    stories at DC with Tim Sale. His Batman: The Long Halloween run, Superman: For All Seasons,
    those are my inspirations as well as a lot of my own pyrotechnics. Ivan
    Reis has done a simply incredible job and it’s so great to have him
    back after he exploded open with Sinestro Corps. It’s just a different
    story, it’s so much more grounded – at least at first – and personal in
    a different way.

    Eddie Berganza and Adam Schlagman have really put the care into this
    too. The cover ideas and the kind of “painted” look to them was all
    Eddie’s idea and it turned out phenomenal.

    NRAMA: You said you’re doing another Secret Origin story besides this one in Green Lantern? In a different comic?

    GJ: Eventually, I’m going to tackle another one. I want to try to bring “Secret Origins” back into the DC universe.

    NRAMA: That other Secret Origin – can you tell us what comic it will be?

    GJ: Hell, no!

    NRAMA: [laughs] OK, but despite the fact that this interview is
    concentrating just on Green Lantern and not your other DC titles, it’s
    hard to talk about the emotional spectrum and not mention that we saw a
    character in Action Comics last week who seemed to tap into this emotional spectrum for her powers.

    GJ: Yeah. [laughs] Rainbow Girl. But not very well. She’s
    managed to tap into a couple of colors. But she doesn’t understand
    them. To her, it’s just more for fun.

    NRAMA: So we know the emotional spectrum has power even into the future.

    GJ: Yeah. Where there is no Green Lantern Corps.

    NRAMA: There isn’t any Green Lantern Corps in the future?

    GJ: Not in the 31st century.

    NRAMA: So… there’s nobody left from the Green Lantern Corps?

    GJ: Uh… in the 31st century, you have two Green Lanterns. That’s it.

    NRAMA: Who are they?

    GJ: One’s Rond Vidar. And there’s another one.

    NRAMA: Uh huh.

    GJ: …

    NRAMA: And are you going to tell us the other one?

    GJ: No. [laughs]

    NRAMA: [laughs] So I guess we’re going to find out who the other one is in some upcoming story?

    GJ: Yes, we will.

    NRAMA: Is that something you’re writing?

    GJ: Uh… maybe.

    NRAMA: OK… we’ll move on to another Green Lantern subject.
    Something about the emotional spectrum that maybe you’re going to
    explore in more detail later, but might clarify for us here, is that it
    was established early on that there was a weakness to yellow for the
    Green Lanterns – particularly the rookies, but really anybody who
    couldn’t overcome fear. And it was associated with Parallax being in
    the power battery. Right?

    GJ: Yes.

    NRAMA: Do Green Lantern rookies still have that weakness to fear now that Parallax isn’t in the power battery any longer?

    GJ: They do because Parallax has tainted the pool. They were
    entwined for so long. Yellow and green are so close together and so
    intertwined, kind of back and forth for so long, that there is still
    some intersection there.

    NRAMA: So if there is this “weakness” relationship between the
    yellow and green power, is there a similar type of relationship between
    other colors in the spectrum?

    GJ: There are certain reactions between other colors, but
    they’re not exactly what I would call a weakness. Certain things about
    the energy will affect and change when they come into contact with
    other parts of the spectrum. But it won’t necessarily react like green
    and yellow react.

    NRAMA: So the reaction between green and yellow is unique?

    GJ: Yes. It’s very unique.

    NRAMA: And the weakness is still traceable to Parallax having been in the power battery?

    GJ: Yep. And again, a Red Lantern isn’t just a Red Lantern like
    a Green Lantern. It’s not, “Hey, I’m red.” Blast! They’re all
    different. As you saw when Laira was recruited, it’s a terrible process
    to become a Red Lantern. It’s horrible. It’s not comfortable. It’s
    violent.

    NRAMA: Are we going to see anyone from earth offered these various colored rings, particularly the red ones?

    GJ: Not right now. I’m obviously focused on what’s happening
    now. I want to explore all the different aspects of it until we start
    to get into the War of Light. And let’s wait to talk about any
    specifics on that. But I have it completely planned out: All of
    Blackest Night and the way it’s going to affect our characters and the
    storyline.

    NRAMA: From the sound of the next few issues, even the origin
    story you’re telling in Secret Origin plays into this 2009 story of
    Blackest Night, doesn’t it?

    GJ: All of it starts to build now. Green Lantern #26-28
    was the epilogue and getting the second law up and running, and getting
    everyone in play. And you can see the flickers of light – I call them
    flickers of light – but they’re things in the universe that are
    starting to happen. Everything that’s happening now will play into
    Blackest Night and the future and past of Hal Jordan and the Green
    Lantern Corps.

    NRAMA: Anything else you want to tell fans about Green Lantern?

    GJ: Thanks to everyone reading the book. I’m proud to be a part of one of the most unique superhero mythologies in comics.

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