Tales from the Longbox

Comic book news, commentary, reviews, and whatever else I feel like talking about.

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    Archive for the 'Commentary' Category

    Commentary on comic books and the comic book industry

    WONDERCON ‘08: FOR THE LOVE OF COMICS PANEL - NEWSARAMA

    Posted by Chris Mosby on 25th February 2008

    It is about time that DC listened to fans again.  They should bring back the letter column!! 

    I am also glad that I am not the only one that wants to pretend that Bruce Jones’ run on Nightwing never happened!!

    WONDERCON ‘08: FOR THE LOVE OF COMICS PANEL


    Report by Ian Brill
    A strange listing in the WonderCon programming book was a panel on Sunday entitled Sunday Conversations: For the Love of Comics which promised Dan DiDio and friends talking about why the love this medium. Before the panel started DiDio, with DC cohorts Fletcher Chu-Fong, Jann Jones, Mike Carlin and Trinity artist Mark Bagley on the dais behind him, asked the audience to move forward so a conversational tone could be struck. That’s just what happened as a relaxed and free-wheeling discussion about childhood memories and recent favorites arose.
    DiDio noted how for a few years DC has had panels announcing their forthcoming books and plot threads. Now they wanted to see if they could do panels without the hype machine but where they can just talk comics, fan to fan. The proceedings opened up with DiDio asking the crowd what their first comic book was and who had been collecting comics the longest. The answers were varied but the crowd soon got in synch with each other, trying to remember if they ever read the comics being mentioned by others. When one audience member remembered reading Superman vs. Muhammad Ali the crowd let out an appreciative “oooooh.”

    The loose atmosphere of the panel gave the industry professionals a chance to recount anecdotes they would never share at a more structured presentation.
    Bagley told of how he got his start at Marvel through, of all things, the Marvel Try-Out Book from the ‘80s. He was 27, working a construction job, married and with child. He didn’t want to hit 30 and still be running around conventions with a portfolio. When he first saw the Try-Out Book he thought it was just a cash grab from Marvel but his friend Cliff Biggers (retailer and co-publisher of Comic Shop News) convinced him to give it a shot. He came in first place out of 90 entries, although Bagley admitted he was mostly up against 12-year-olds.

    Once he got to Marvel, along with Doug Hazelwood who won the inking portion of the contest, he had trouble actually getting any work. He eventually had to confront then Editor-in-Chief Jim Shooter. Arching his neck to look Shooter in the eye he asked him when he’s going to see some gigs. Shooter remembered who Bagley was and gave him a shot. It was, of all things, on one of the New Universe books all of which were that were in the process of crashing and burning. It wasn’t much but from that start Bagley was able to quit his job at Lockheed Martin and support his family by being a comic book artist.

    Later in the panel Bagley noted how great it was to finally being able to talk. The last DC panel he participated in he only said a few words about Trinity and wasn’t able to speak at length like the did Sunday
    DiDio turned the discussion to the present asking the crowd why they continue reading comics. The answer was still tinged with nostalgia as many people said they follow characters and titles through thick and thin out of loyalty to the books they grew up reading. Some fans expressed that although over the years they have to suffer through some lesser stories (one audience member who was a major Daredevil fan recalled the stories where Matt Murdock was given sight and did jobs for S.H.I.E.L.D.), but they wait for that moment when things will finally be better in their favorite title.

    The panel really proved itself to be a real conversation and not a stealth hype session when DiDio asked the question what was the most ridiculous thing the audience had ever seen in a comic. Blog@Newsarama’s own Carla Hoffman said that the issue of Nightwing where Jason Todd becomes some kind of shape-shifting monster was the strangest thing she had encountered in a book. Neither DiDio nor anyone else at DC tried to convince her otherwise. DiDio instead quipped “that’s the best thing about these comics. We pretend that stuff didn’t happen!”

    DiDio and Carlin said that one of the great things about superhero stories is the silliness. DiDio’s reign at DC might be seen as one ushering in an era of darkness into the stories but he said he loved really silly stories like the Bob Haney Super-Sons tales. He has even been trying to get a trade of those comics out.

    Another issue facing many comic books readers today discussed at the panel whether to stick with monthly comics or switch to trades. DiDio surveyed the crowd, asking which of the readers buy comic book every Wednesday and which wait for the trades. Most of the crowd seemed to still be buying single issues but many, especially some of the older fans, had switched to trades so they can get the complete story in one sitting.
    When the fans buying single issues talked about their experiences the discussion turned to delays and art changes in books. The DC people were candid in telling the crowd that a problem that they run into is that some artists need to schedule their work better. A lot of them will take multiple jobs, from comics to trading cards and beyond, because as freelancers there’s the fear that money might dry up for a period of time and it would be nice to have a lot of paychecks coming in at once.

    Bagley expressed concern about artists who work so hard to make all of their penciling work so beautiful that it takes forever and there’s no room left for work from the inker or letterer. For DC this means that fill-in issues have to be run but it was noted by panelists and audience alike that a single issue story can be a refreshing break. Every comic is someone’s first and a simple fill-in story might hook someone.
    The conversation felt like it could continue for hours but after only one it was time to quit. The convention itself was ending soon. DC seemed please with their little experiment, Carlin declaring that was his favorite panel in 15 years.

    WONDERCON ‘08: FOR THE LOVE OF COMICS PANEL - NEWSARAMA

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    Posted in Commentary, Convention News, DC Comics | No Comments »

    Best quote of the day (so far)

    Posted by Chris Mosby on 12th February 2008

    I just loved the quote from Jamie Rich over on a post i read at Blog@Newsarama.

    When replying to someone stating that “Joey Da Q is close to being the smartest person in comics, Jamie states :

    “Being the smartest guy in comics is like being the fattest corpse in the graveyard. It just ain’t that hard.”

    Classic!!

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    Posted in Commentary, Random Thoughts and Information | No Comments »

    FOX SUES WARNER BROS. TO STOP WATCHMEN PRODUCTION

    Posted by Chris Mosby on 12th February 2008

    What a bunch of steaming crap.  Typical Fox move if you ask me

    FOX SUES WARNER BROS. TO STOP WATCHMEN PRODUCTION - NEWSARAMA

    FOX SUES WARNER BROS. TO STOP WATCHMEN PRODUCTION

    According to The Hollywood Reporter, 20th Century Fox filed suit against Warner Bros. last Friday over the rights to the film version of Watchmen by Alan Moore and Dave Gibbons. Fox claims that it holds the exclusive copyrights and contract rights to the property, and is seeking an injunction to “restrain (Warner Bros. Pictures) from taking actions that violate Fox’s copyrights and which stand to forever impair Fox’s rights to control the distribution and development of this unique work,” this according to the complaint.

    Fox’s claim – it still has a hold of a piece of the Watchmen movie franchise, and hasn’t been paid.

    From The Hollywood Reporter:

    Fox claims that between 1986 and 1990, it acquired all movie rights to the 12-issue DC Comics series and screenplays by Charles McKeown and Sam Hamm. In 1991, Fox assigned some rights via a quitclaim to Largo International with the understanding that the studio held exclusive rights to distribute the first motion picture based on “Watchmen,” according to the lawsuit.

    When Largo dismantled, the rights were transferred to producer Lawrence Gordon. Under a “turnaround agreement” between Fox and Gordon, the producer agreed to pay a buy-out price to Fox if he entered into any agreement with another studio or third party to develop or produce “Watchmen,” among other things.

    Some historical notes about the above: Sam Hamm was brought in to the film project after Alan Moore declined to write the screenplay of the comic series, and Hamm’s screenplay reportedly changed major elements in the original story, including the ending. The project then moved to Warner Bros. and had Terry Gilliam and Joel Silver attached (with an altered screenplay) – this was the “Arnold Schwarzenegger as Dr. Manhattan” phase of the project’s development. Funding problems and Gilliam’s belief (shared by many fans as well as Moore) that the story was unfilmable saw the project die at Warner Bros. the first time, with the rights going back to Gordon.

    In 1996, Gordon and Warner Bros. entered into an agreement, which saw the property moved between Universal (with David Hayter writing and directing), Revolution Studios and Paramount (with Darren Aronofsky, and then later Paul Greengrass directing Hayter’s script) before landing at Warner Bros. with Zack Snyder directing from a screenplay by Alex Tse.

    As THR reports, Fox now claims that neither Gordon nor Warner Bros. has paid the buyout price or “advised the studio of any other conditions required under the agreement, including procedures necessary to acquire the rights to Watchmen from Fox.”

    Fox is seeking unspecified damages in the lawsuit.

    Warner Bros. describes the film version of Watchmen as:

    A complex, multi-layered mystery adventure, Watchmen is set in an alternate 1985 America in which costumed superheroes are part of the fabric of everyday society, and the “Doomsday Clock” – which charts the USA’s tension with the Soviet Union – is permanently set at five minutes to midnight. When one of his former colleagues is murdered, the washed up but no less determined masked vigilante Rorschach sets out to uncover a plot to kill and discredit all past and present superheroes. As he reconnects with his former crime-fighting legion – a ragtag group of retired superheroes, only one of whom has true powers – Rorschach glimpses a wide-ranging and disturbing conspiracy with links to their shared past and catastrophic consequences for the future. Their mission is to watch over humanity…but who is watching the watchmen?

    The film based on the graphic novel is being directed by Zack Snyder (300) and produced by Lawrence Gordon (Die Hard), Lloyd Levin (United 93) and Deborah Snyder (300), with Herbert W. Gains serving as executive producer.

    Playing the film’s core group of “masks,” the masked adventurers at the center of the story, are Malin Akerman (upcoming The Heartbreak Kid) as Laurie Juspeczyk, aka Silk Spectre; Billy Crudup (The Good Shepherd) as Jon Osterman, aka Dr. Manhattan; Matthew Goode (Match Point) as Adrian Veidt, aka Ozymandias; Jackie Earle Haley (Little Children) as Walter Kovacs, aka Rorschach; Jeffrey Dean Morgan (TV’s Grey’s Anatomy) as Edward Blake, aka the Comedian; and Patrick Wilson (Little Children) as Dan Dreiberg, aka Nite Owl.

    Watchmen was originally published by DC comics as a 12-comic book series between 1986 and 1987, before subsequently being collected into a trade paperback. It is the only graphic novel to win the prestigious Hugo Award or to be named among Time magazine’s “100 Best English Language Novels from 1923 to the Present.”

    Watchmen is currently in production in Vancouver, and is slated to open on March 6th, 2009. The film’s website can be found here.

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    Posted in Comic Book News, Commentary, DC Comics, Movie News | No Comments »

    SEAN McKEEVER ON THE TERROR TITANS - NEWSARAMA

    Posted by Chris Mosby on 23rd January 2008

    I wasn’t really fond of the last story arc, and from what I read here I am not so sure I will like this one either.  Might be time to cut this for something else.

    SEAN McKEEVER ON THE TERROR TITANS

    by Vaneta Rogers

    It’s the calm after the storm – or so they think. As today’s issue #55 of Teen Titans demonstrates, the team needs a little time to regroup after emerging from the trenches of a raging battle.

    But not for long.

    As writer Sean McKeever told us, the Teen Titans are facing a new threat in the upcoming storyline – a team of teenage legacy villains called the Terror Titans. In a series of issues that will focus on a different team member each month, the Teen Titans will face these new foes head-on as the Terror Titans attack under the leadership of a brand new Clock King.

    We talked to the writer to learn more about the mysterious Terror Titans and found out issue #55 is a new beginning for the team – and the writer – in more ways than one.

     

    Read the rest of this entry »

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    Posted in Comic Creator Interviews, Coming Soon, Commentary, DC Comics | 1 Comment »

    COMICS FANDOM UNITES TO SAVE J’ONN J’ONZZ - MICHAEL NETZER ONLINE

    Posted by Chris Mosby on 22nd January 2008

    COMICS FANDOM UNITES TO SAVE J’ONN J’ONZZ
    Comics web sites and forums show resounding support for the campaign,
    covered at The Beat, Blog@Newsarama, Comics Should Be Good, Comics
    Related… and more.

    AROUND THE WORLD FOR THE MARTIAN MANHUNTER
    Websites and forums from across the globe are placing banners, links
    and raising support for the campaign to save the Martian Manhunter.
    Some reactions from Spain, Germany, France, Costa Rica, Philippines,
    Mexico, Canada… and more.

    SIGN THE PETITION TO SAVE THE MARTIAN MANHUNTER
    Stop by and sign the growing petition… and help make a difference!

    http://www.michaelnetzer.com
    MICHAEL NETZER ONLINE

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    Scoop - Where the Magic of Collecting Comes Alive! - BEST OF 2007 - #2: The Lone Ranger - Volume 1

    Posted by Chris Mosby on 22nd December 2007

    I LOVE this book!!

    BEST OF 2007 - #2: The Lone Ranger - Volume 1



    Originally reviewed in the July 5, 2007 edition of Scoop:

    Dynamite Entertainment; $19.99
    This new take on the origin of the Lone Ranger is fresh, but it is not even remotely alien to the those of us who have loved the character (and Tonto, for that matter) for years. Writer Brett Matthews, artist Sergio Carello, colorist Dean White, and art director - cover artist John Cassaday have to be saluted for this powerful version of one of the most popular characters ever.

    Scoop - Where the Magic of Collecting Comes Alive! - BEST OF 2007 - #2: The Lone Ranger - Volume 1

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    Posted in Commentary, Pop Culture | Comments Off